Archive for February, 2009

Thursday, February 26th, 2009

by Kika Patrick

Sitting in the oficina of European Vibe magazine, a man pressed the buzzer of the door. Popping my head up inquisitively, I noted the man was a little too scruffy to be a colleague, a little too old to be a friend.

There was nothing about his imidiate appearance that gave me answers as to who he was. Looking towards the others that were working that day, they also looked troubled as to who he could be and what he wanted. The stranger, walking straight passed those who were perhaps waiting for an introduction, asked in Spanish, to someone busying himself at a computer, if he could have some money. With a flash of an answer (no tengo I presumed, no transaction took place) he was away. To where – who knows but those left in the office were in shock of this strange procedure of gallently walking into a place of work and begging.

The guy in the office he asked is always here and told us that he does this often. Begging is a familiar sight in Madrid. Perhaps you’ve seen them outside Metro entrances, wailing in a slightly miserable and monotonous tone, “Por favor señor/señora“. Perhaps they are blind, or strangely limbed. Most reactions are for passers by to do exactly that and get on with their day. Do not confuse these beggars with those jolly people you see on the Metro and in the stations themselves entertaining us with their musical talents. Unless it’s that one guy who goes around with a battered fiddle and subjects passengers to some scraping sound that bearly resembles a tune. But on the whole these people are artists and asking for a contribution to their work, not hand-outs.

Moving on from Metro trains to the Cercanías. I noticed, whilst getting sent here, there and everywhere as an EFL Teacher, that begging has taken on an observedly 21st Century feel. Many times, when quietly reading a book, my knees were lightly touched by a neatly produced slip of paper. These computer printed mini leaflets would be explaining the predicament of the person who was moving down carriages, handing them out. The first time this happened to me I thought how awful it was – more littering, more paper wasted that no one wants. One of my biggest pet hates in our world are those people (actually employed by some organisation) who hand out flyers to strangers promoting something or other. How many times I have to walk through the arms of these people, walk over dropped and wasted pieces of paper on the pavement and see those who are idle enough to take them and promptly throw them in the bin. It’s criminal. So imagine how pleased I was to find the man on the Cercanias come back 5 minutes later and collect all his slips, to be recycled and inform more passengers of his plight.

I am against begging. I don’t believe in giving money out of pity for someone’s situation. I find it insulting to all of human race to do so. However, I do believe in charity and giving to those who make an effort to work themselves out of a situation. Re-surfacing onto the streets of Madrid you may have noticed lads on the street, perhaps outside supermarkets or conveniently placed on busy corners, holding a wad of newspapers in one hand and attempting to greet every pedestrian in order to sell it.

La Farola is the publications name. This I found out after several months of walking past the same guy who constantly said ‘Hola’ to me, I decided to stop and ask about what he was selling. Call it pester power, call it curious by nature but I was glad of his explanation. He told me in English (for he was keen to practice and Spanish was also not his first language) that it was a newspaper sold by the homeless and cost 2€. He was from Nigeria and living here temporarlily. On hearing I was from London he immidiately piped up and told me how he hated this country and wanted to move there as soon as possible. From this I thought Spain was a convenient stepping stone to bigger and better plans. No warnings of how expensive London was to live in could disuade him from wanting to live there (so the complete oppostite to every person who is currently living there or has done so in the past).

I decided to buy one and have a gander with my limeted Spanish as to what was inside. Those of you familiar with the U.K will know of a similar magazine called The Big Issue. This was set up by Gordon Roddick, partner of the late Anita Roddick who together created the Body Shop. Their aim was to give the homeless of London an opportunity to work themselves out of poverty. Now running with the slogan ‘the change is in your pocket’, Big Issue is found in most British cities providing the homeless that without it would be begging on the streets, with a legitimate income. The magazine has articles from many different contributors including those who have slept rough focusing on social issues of today and how we can change the world we live in through activity.

I thought that La Farola might have the same focus and indeed the issue I picked up had many articles on the state of environment, eucation and culture. So the next time you pass a guy holding a paper in his hand, be sure to enquire after it. I asked my Nigerian friend if he had to have identification to sell and he offered to show me his. This is so you know you’re buying from a credible vendor and not someone who nicked it. Unfortunately, I feel the spirt of this enterprise might be a little lost on the Spanish folk. Some who come out of the supermarket where I bought mine, and approach the guy just give him some money and don’t bother taking the paper. Indeed when I paid him, I had to prompt him to give it to me. I shall trawl my way through it, trying to understand the articles in depth on the metro whilst hopefully avoiding that annoying Violinist.

Dancing with a Digger

Tuesday, February 24th, 2009

by Ruth Kenny

 

“Duo para un Bailarin y una excavadora”

This morning I was lucky enough to stumble upon the french compagnie Beau Geste’s offering for Carnaval in Plaza Mayor. Transport exceptionnel was a bizarre production lasting just over 30 minutes and featuring a paso doble like i’ve never seen before…and I LOVE dance in all its forms and varieties.. ( more on my obsession with Fama- A Bailar anon)!

Created by Dominique Boivin and performed by Philippe Priasso and William Defresne, the spectacle involved the dancer performing an acrobatic, freestyle dance centered around the digger’s front loader. The dancer displayed grace, poise and an unfathomable sobriety throughout and his movements really did impress the onlookers who were forthcoming in their cries of “Que bien”… and “fenomenal”

The piece itself is open to interpretation on many levels, for instance it could be indicative of the symbolic harmony of man and the machine. For me it provided a Sunday surprise in the midst of the madding crowd at the Plaza Mayor..

Think yer ‘ard then?

Thursday, February 19th, 2009

by Martin Quinn

 

 How much of a hard case do you think you are? Have your pugilistic talents got you out of a helluva lot of bother or have you ended on the wrong end of good kicking in a pub car park because you talk a better fight than you execute? Well, I’m very much in Category B or as they say round my neck of the woods, I couldn’t beat snow off a rope.  

 

 Still, there’s no situation short of the involvement of firearms that a rolled-up newspaper can’t solve. Believe me, it works. Cockneys call it the “Millwall Brick”. Simply roll up yer copy of El País or El Mundo (depending on how fiscally conservative you are), fold ‘er over and away ye go. It’s as hard as stone and saved one Glaswegian friend from a pasting. Back in the 1970s though, the heyday of British soccer thuggery, the firms managed to arouse the attention of Old Bill when the mostly proletarian fans started carrying the Financial Times to footy games. Being the biggest it was, of course the best but unfortunately most bourgeois paper, therefore the boys in blue got a tad suspicious of the surge in Millwall-supporting financiers.

 

 Unfortunately it looks a bit dweebish carrying El País around O’Neill’s on a Friday night if you’re trying to impress the ladies. Therefore, if you have the guts to endure some physical pain (or you’ve read the Bhagavad Gita and deny its existence), you could try Muaythai boxing. This should surely scare away the carteristas that want to play football with you while they’re raiding your back pocket when you leave the aforementioned pub. Luckily Madrid’s full of clubs and the one I’ve just started back at again is top class for training. Situated in Calle Oviedo, the Muay Thai Madrid club focuses on technique and the fighters are generally sympathetic although one feisty Spaniard nearly broke my nose for the third time in my life. Well, for God’s sake I’m 32 so I should be able to take the occasional slap by now, yeah?

 

 Anyway, if you’re up for starting and can resist the temptation of ending up rolled in a ball in the corner crying it has an excellent website, www.muaythaimadrid.com . Beginners’ classes are Mondays and Wednesdays at 7.30PM and Saturdays at 1.30PM. If you’re more advanced and want to come have a laugh at myself getting battered about the joint, then it’s an hour and a quarter later Mondays and Wednesdays and 12.15PM on Saturdays. The trainer’s a Cockney by the name of David Hughes but I don’t think he supports Millwall, so you’re probably safe from being accosted by a copy of European Vibe.

 

A trip to the museum

Tuesday, February 17th, 2009

by Jade Conroy

 

 

Some may say that I am a fond lover of clothes. Well, they would say that it is an understatement to say that I am a fond lover of clothes. Yes, I am partial to a bit of shopping now and again; however my expensive hobby has pretty much left me in the red. So, last week, I decided to channel my love for clothing into another outlet and find a fix from somewhere else- The Museo Del Traje.

 

“Clothing seems to be an identifying characteristic of our species.”

The Costume Museum is built around this simple principle and it dedicates itself to the celebration of the language of clothing throughout the eras, stating “In every culture men and women, rich and poor, kings and commoners have all been distinguished by their apparel”.

 

Ranging from bodices from the romantic era to flapper dresses from the roaring twenties and the mini skirt phenomenon, the museum leaves no fashion stone unturned. You find yourself lost in an exquisite maze of 19th century evening gowns and opulent jewellery collections dating back to the 1800s.

 

Furthermore, it dedicates a large part to the founding fathers of Spanish fashion such as Cristobal Balenciaga and their predecessors. The museum houses some of his traditional pieces from the 1950s which are still popular today, like the sack dress. It also has a section on Mariano Fortuny, a textile designer who believed that the body was a vehicle of beauty which must be respected. He designed the revolutionary “Delphos” dress which freed the female body of any support. The creations housed in this museum all serve to show the ever changing female silhouette throughout the eras.

 

You can also see some legendary pieces by Christian Dior as well as Elio Bernhanyer who actually has just had his own temporary exhibition at the museum. Some classic Chanel suits are also featured in this exhibition, as well as one of the most famous garments by Jean Paul Gaultier- the corset body which later became the design for the perfume bottle. Some pieces by Vivienne Westwood from the 1960s and beautiful couture bits by Christian Lacroix are on display too.

 

Besides the permanent exhibition, the museum holds temporary displays throughout the year and I was lucky enough to see VOGUE ROCKS. This display presented a selection of 38 published fashion photographs of distinguished jewellery brands such as Boucheron, Cartier and Van Cleef and Arpels. Photographers included the likes of Patrick Demarchelier and Cecil Beaton. However, my personal favourite from the Vogue archives has to be the shot of the Buzz Lightyear figurine draped in Cartier diamonds shot by Mark Mattock for a 1990s issue of British Vogue. Another of my favourites would have to be Helmut Newton’s photograph of a woman wearing a pair of sumptuous earrings by Van Cleef and Arpels, who strikingly resembles Audrey Hepburn. Some regular faces also cropped up at this exhibition, such as Gemma Ward, Uma Thurman and Pharrell Williams.

 

In short, the museum is definitely great for those lazy Saturday afternoons, especially as after half past 2 it’s free. It pays homage to designers and demonstrates their lasting contribution to the world of fashion. It definitely took my mind off of shopping for a few hours although I couldn’t resist popping into the gift shop before leaving, obviously.