Number Eighteen – John Lennon: Stand By Me
Thursday, December 18th, 2008by Peter Moore
Number Eighteen – John Lennon: Stand By Me
God knows our generation has more than enough problems to trouble us. But, to brighten our minds for a moment, it’s well worth being thankful that we were born at the end of the twentieth century and not a hundred or so years beforehand. Not merely because we would all have been expected to pull our socks over our trousers and set off towards the mud and bullets of Flanders, but also because we would have had to stand for the abysmal state of popular music.
The worst horrors of the X-Factor included, there is little about today that couldn’t trump the songs of the early 1900s. Titles such as ‘Oh, stop your tickling Jock’, ‘Every nice girl loves a sailor’ and ‘Pop goes the weasel’ abounded. And, if I want to amuse myself for a moment, I imagine a heavily moustachioed Simon Cowell nodding his head along to a lively rendition of Tipperary from some rugged second lieutenant or other, hoping to jolly well sing his way out of the trenches.
Imagine the collective wave of relief then, which humankind must have felt all those years later when Rock n’ Roll came along. The image of thousands of teenagers on either side of the Atlantic fiddling delicately with their wirelesses, their ears pressed to the crackling speaker trying for all their life to catch the rhythms, the lyrics and the twanging guitars of Chuck Berry, Bill Haley and the Comets or Elvis has become an enduring one.
Amongst that generation of Baby Boomers who grew up to be the mods and rockers of the 1960s, was a shabbily dressed drop out from the Liverpool School of Art named John Lennon. As one of the centuries most important, more influential and most complex personalities, there are hundreds of different books waiting to be written about Lennon. But leaving to one side for the moment The Beatles, the protests, the drugs, the politics and the preaching, I want to use today’s Vibe Box to suggest that at the heart of Lennon’s formidable personality lay an enduring and profound love for the raw energy of early Rock and Roll.
You can accuse me of folly for taking a great songwriter such as Lennon, and then not choosing one of his original songs. But despite the fact that I am keeping The Beatles in reserve for another day, there is something about this song which supports the argument I’m making. Because if we all admit to being at our most emotionally vulnerable when our long-term relationships break up, then we have to admit that our behaviour at about that time is usually most revealing.
Some might want to contact certain reliable friends, others might want to head directly to the pub, some will scoot straight off to their parents’ house and some of my female friends seem content to collapse in front of a television and devour large quantities of ice cream. Well, it’s perhaps telling then that when John Lennon split with Yoko Ono during the early seventies, he headed straight off to Los Angeles, stocked a mansion to the rafters with gin, whiskey and vodka before setting about recording a Rock n’ Roll album. In it, he included this version of the 1961 soul hit, Stand By Me.


